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           EUGÈNE ATGET
           (1857–1927)
           Ménagerie, Paris c. 1920
           Matt albumen print from
           gelatin dry plate negative,
           mounted on cardboard
           17,5 × 23 cm (6.9 × 9.1 in)
           Negative number in the
           negative lower left
           € 2.000 / € 4.000–4.500







































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           ANNE BRIGMAN
           (1869–1950)
           ›Scene from The end of
           a perfect day‹, c. 1915
           Vintage silver print, double-
           mounted on original cardboard
           18,3 × 24 cm (7.2 × 9.4 in)
           Signed by the photographer
           in pencil on the mount,
           annotated by her in pencil
           on the reverse
           € 2.400 / € 4.000–5.000
















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